Book Club
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 Tuesday, December 04, 2007

Idiot Wind
(Chapter One of Breathing Out the Ghost)

Let me tell you about the time your grandfather took a sledgehammer to the car.

It was the summer I told everyone I was sixteen, the same summer my family went four months without sleep. Just as the school year was ending the hourly boys at Dow walked out on management. Your grandfather worked the acid tankers back then, and he was beholden to the union, so that left seven of us--me, Mom and Dad, Robbie, and the girls, Cassie, Devlin, and Sally--to get by on $300 a month strike pay. Because my parents had five children, there was no savings account. Right away we were unable to meet the mortgage, and toward the end grocery money was scarce. We did the best we could, of course. We learned to swallow powdered milk without making a face and not to note out loud that we were dining on macaroni and cheese for the umpteenth day in a row. We knew to appreciate our mother for the one delicacy she could afford to indulge us in, the bread she baked with flour and eggs donated by the church auxiliary. Years later I realized she encouraged us to gorge on her endless loaves so we’d be too bloated to complain. She wasn’t the only one who picked up tricks that summer. We kids learned not to ask for seconds or to speak too loud. We learned to stay outside long after dark and to keep the fan running in the bathroom so our odors didn’t annoy him. We had to do these things because we didn’t want to set your grandfather off. Let me tell you, it wasn’t easy. In that environment there wasn’t a sound that didn’t ring loud as an explosion, not a move to be made that didn’t make the claustrophobia all the more stifling.

Nights were the worst. You thought that with silence would come sleep, only there wasn’t ever any silence. As you lay in bed you became aware of all sorts of noises that wouldn’t let you rest. The cedar beams popped and groaned, the drywall cracked as the foundation shifted. Outside, birch leaves slathered themselves creepy-crawly on the shingles. If you were lucky you might drift off for an hour or so, but then a pipe would clang, or an eighteen-wheeler somewhere would accelerate, and you’d be brought right back into a state of lucid, aching insomnia. What usually kept me bright-eyed and bushytailed was the sound of your grandfather pacing the house. He was doing his best to wear out his restlessness.

Your uncle was a little smarter than me in those days. He wore headphones so he didn’t have to hear the racket. All night his spindle dropped records onto the turntable beside our bunks. I know your grandfather heard that sound, too, because he often came into our bedroom to set the needle back in its grip. I’m not sure he was aware I was awake; he didn’t know what a good game of possum I could play. Some nights I would hear him slip the headphones from around Robbie’s ears, not gently at all, really, so I’d be wondering why Robbie never woke up. It never entered my mind he might be faking just like me. Then other nights, with my eyes closed, I’d feel your grandfather breathe all over me, hot and heavy. He didn’t just inhale and exhale, you know; he had this kind of anxious humph that burst all concentrated like kettle steam. There were times he would hoist himself up and under my covers, and he would try to rest by rolling his weight on top of me. This would go on for hours until I’d imagine my spine cracking. This particular night, though, he just stood bedside and whispered, “If you’re up, I need your help.”

In the kitchen he handed me a bottle of sleeping pills he’d bought off his shop steward. “Hide them,” he said. “And don’t tell me where.”  Then he turned around and started counting out loud.

I slid a few drawers out. I shuffled the cracker and cookie boxes, opened cabinets and rearranged soup cans, all to throw him off the scent. Then I stuck the bottle behind an old jar of pickled something or other that had sat untouched for years in the lazy susan. When I went back to bed he’d taken to sitting crooked on the davenport, peeking out a bay window that looked past a flowerbox and some shrubs to the front yard. I didn’t realize what a good job I’d done until, some time later, I heard him rifling the spice rack.

You see, son, the thing is, when you crave it most, sleep is like a ghost; the relief it brings evaporates from your memory, but the weight of wanting it remains. Sometimes as I drive now, thinking I can find you--having to convince myself that I can find you¾I imagine things crawling across the highway. Not dogs or raccoons or deer even, but shapeless things that can’t be caught between edges. What are they? Hard to say, exactly. They usually appear around the thirteenth or fourteenth hour when I have a hundred miles to go before I can rest. But that’s phony of me, I know. There’s nowhere I’m expected. It’s not about getting anywhere now; it’s just about getting on.

I like to think that’s the feeling he faced as he grabbed hold of that sledgehammer. He wasn’t attacking the burden of his great expectations, but something altogether more formidable: their loss. I can’t tell you what he thought his life should have been. I only saw the resentment he felt for what it had become. I do know what my intentions for my life were: you, plain and simple. And the joke is that now I, too, must live with what I don’t have. Back then I couldn’t begin to imagine what kind of indignation could shove a man to such extremes, but now, as you can guess, it’s as clear to me as the yellow lane lines in front of my face. You can’t start a fire without a spark, and my hiding those pills was the flint he needed to strike out against.

Lucky guy. I’m still waiting for my turn to go off.

Here’s how the rest of that night played out:

By the third crack of the sledgehammer your grandmother’s bare feet scuffed the shag as she slapped the walls feeling for the light switch. That sound made me wonder, just for a moment, if a frightened doe had wandered through an open door, searching for a lost fawn. Then came another concrete smack as the hall trembled into brightness and Robbie audibly stirred. I felt responsible, knowing as I did that I’d buried your grandfather’s treasure without leaving him any kind of map, without leaving him so much as an X to mark the spot. So I slipped down to the bottom bunk and stepped lightly on Robbie’s chest, rousing him. The turntable was playing the second song on side two of The White Album, which, two days earlier, we’d shoplifted together.

By the time we made it to the living room your grandmother was already at the bay window. The T shirt she slept in barely covered the fading blue butterfly tattooed to her thigh. She had to stand on her toes to see through the shrubbery, which needed pruning. It was one of the few bits of yard work we’d yet to complete as we tried to reassure your grandfather that, despite the past due notices piling up by the telephone, his world could still be tidied and orderly. I remember the smell of varnish on the trim as I joined her to peek through the window. I remember the evergreens and saplings outside shivering. A silhouette dancing in the driveway, reflections flashing off the mallet. The whole family joining us.

The girls clung to their mother. They slept in your grandfather’s old T shirts, too, and each time the hammer sounded they seemed to shrink, swallowed alive in his stained cotton. Robbie and I, we were older, so we just stiffened and gawked. Soon we could see lights from other houses flip on, and the neighborhood became a constellation held together only by the gravity of our disbelief. Your grandfather shattered the windshield so hard a wiper flipped over the car’s roof. After that, the girls covered their ears and hid their faces, but I was looking at that butterfly tattoo. You must understand: your grandparents were seventeen when they had me, so when I was younger I saw her more as a beautiful older sister than a mother. Once at church I spied the minister pointing at her, saying to a parishioner, “Five kids, out of that,” and I had to agree. Your grandfather had a butterfly tattoo as well, on his right biceps. They were matching jokes, a dare they’d carried out when they were too young to know better, before we happened. Only by that night I’d already recognized something sad about the dull color and the flattened dimensions of the wings. Those tattoos had become graffiti on an earlier undercoat of life that the grit of getting on failed to cover up.

He didn’t stop until he pounded the bumper clean off. For a time, he stared at it, and though darkness confined him to shadow, I imagined him looking at it remorsefully, as if it were a mutt he’d struck while speeding. He didn’t seem concerned or even aware that he woke the neighborhood; he just carried the hammer into the carport and joined us in the living room.

“Now they’re welcome to it,” he said on his way to bed.

We didn’t know what that meant until the next day when the repo men showed up. Robbie and I were in the yard, playing with an old chemistry set that, like everything in our lives that summer, somebody from church had given us out of pity. We watched as the men backed the tow truck into our drive, indifferent to the front tire that gouged our yard. When they finally caught sight of what they’d come to collect they scratched their heads and spit into the grass. Then they stared at us, waiting for an explanation. I stiffened my shoulders and did the only thing I knew to. I was my father’s son, after all.

“You’re welcome to it,” I told them.

After the car was hauled away, we went inside to make sure our sisters knew not to ask where it disappeared to. I don’t know if my dad relaxed at all that night, but I can assure you he didn’t go digging in the lazy susan. Years later--I was in college, I think--I found his bottle of sleeping pills right where I left it, right there behind that jar of pickled something or other.

It’s funny. Back then I would have given everything I owned--which, obviously, wasn’t much--for a little peace of mind. Now I’ve lost all I ever wanted, and I’m afraid to sleep. I’m afraid to even rest my eyes for fear of what I might miss.
It’s funny, too, how in the years since then I’ve come to admire what your grandfather did. At the time I hated him. More than frightened, I was embarrassed. That’s why I told everyone who didn’t know better that I was sixteen when I was really only fourteen. I was already shaving by then, though, and stashing the odd-job money I earned from neighbors thinking it would get me a life of my own. I didn’t know yet that being a man doesn’t mean you’re always able to exact control. I didn’t know that sometimes immolating yourself in anger is your only option. Now I can honestly say I love my father more than I’m capable of loving anyone else, including you. Why?
Because a man seeking his father seeks God, but a father reduced to searching for his son only chases after the man he thought he ought to be.

(Laughter).

Sorry. That’s as profound as the philosophy gets when you’ve only got you and the life you should be leading left to entertain.

Maybe that’s the real difference between your grandfather and me: he wasn’t the kind to talk out of turn. There was more eloquence in that one act of beautiful ferocity than you’ll ever hear in these rambling hours I’ve put to tape. I, meanwhile, am a blabbermouth. I can’t shut up, I can’t not talk, and I hate myself for it. Sometimes I have to say your name out loud, A. J., just to believe you ever really existed. It’s almost a year since you’ve been gone. The milestones are becoming millstones. A whole year, and what’s become of me?

I’ve become the Ahab of the interstates, mewling and puking, raging at the breath of a mist that recedes into nothing.
Raging about it, about you. If you were here, would you hide my pills for me? 

Sometimes I get so tired sleep jumps in front of my wheels, a suicide.

But you, you’re different. You’re a vapor, a whiff, a movement, and all I have are the leftover vibrations to chase. You can ponder perpetual motion, sings the radio, and believe you me, I do. Perpetual motion’s my spook.

The wind’s steeper now, and it’s not even tornado season. The wind rattles the truck, sucks hard at the windows. I have to strap the recorder to the dashboard with duct tape to keep both hands on the wheel. I have to. Wind is a sound without shape, another ghost, another claustrophobia. There are so many now, I run into them, headlong, all the time.

So many that sometimes I think that this truck is nothing but your grandfather’s old house straddling four stupid, spinning tires.

Excerpted from Breathing Out The Ghost by Kirk Curnutt. (River City Publishing 978-1-57966-070-3)

posted on Tuesday, December 04, 2007 7:55:58 PM (GMT Standard Time, UTC+00:00)  #    Comments [16] Trackback
Wednesday, December 05, 2007 3:00:26 PM (GMT Standard Time, UTC+00:00)
RUN, don't walk, to your nearest indie book store and buy this book. If they don't stock it, go to the River City Publishing website and buy it. This story of how folks deal with loss and grief, action/reaction/inaction is so beautifully written. I lost hours over the weekend eating through this novel. I dreamed of the characters. The basic plot is sad, but this isn't a sad story.

Please read this book. Then give it to the next person who asks "have you read any good books lately?"

I can't wait until everyone in the office finishes it!
Monday, December 10, 2007 8:22:19 PM (GMT Standard Time, UTC+00:00)
Okay, I'm about 90 pages into this book. Went to bed reading it last night, and woke up at 2 am for more. Although it's been doing battle all week with an experiment in iPod reading -- (I went and choose Wilkie Collins's "The Woman in White." Yes, I've read it before. Several times. But the characters are so irresistible. Count Fosco! The housekeeper who is so certain that by following the rules, she’s doing the right thing. That contemptible uncle.) -- anyway, “Breathing Out the Ghost” got its hooks into me and I should be through it in another couple of days so that Whitney can have her chance.

This book is also strong on characterization. And fantastic on plotting and language. Run, don’t walk, as Maryann says.

So far, three distinct personalities have appeared, each under their own chapters. Everything’s third person, except for the recorded tapes of Kollie St. Claire -- which I discovered was what the first chapter consisted of. St. Claire lost his son in a Home Depot parking lot and has been looking for him ever since. He rarely eats and almost never sleeps. To keep to schedule, he pops speed pills that he keeps in a plastic bag inside the waistband of his underwear. The speed is what leads to the words rushing around inside of his head, and the tape-recorder is what gets them out. While he doesn’t usually listen to what he’s recorded, he keeps the tapes in a box in his truck.

Robert Heim is the strong man. He was the PI that the St. Claires hired to look for their son. The failure to find the boy is the reason Heim lost his license and now works at a Kroger. It appears that both Heim and St. Claire are haunted by the knowledge of the identity of the kidnapper. Heim also receives postcards from the guy, which he keeps in a box at the top of a closet. There’s a gun in that box as well.

Then, there’s Sis Pruitt. Her real name is Beverly, but for some reason her parents called her Sis, even though she didn’t have a sister until she was twelve.

Sis Pruitt lives in the town where the café is where St. Claire is sitting.

St. Claire is in this town because a child’s gone missing. A missing child represents a clue to St. Claire; a clue to the whereabouts of his boy. He organizes the clues into a kind of errant map.

The child is the second one disappeared from this town. The first one was Patty Pruitt, who ailed to come home 17 years ago. Her mother found her in a cornfield, strangled with her bra.

And now, Heim is also on his way to this town, chasing St. Claire. Maybe chasing failure, or order, or accomplishment. Certainly chasing after the bad guy who sends the postcards.

The bad guy’s name is Dickie-Bird Johnson.
Thursday, December 13, 2007 2:18:20 PM (GMT Standard Time, UTC+00:00)
I find the phrases in the beginning of this book imaginative: "He was doing his best to wear out his restlessness,"grandmother's bare feet scuffled the shag," Those tatoos had become graffiti on an earlier undercoat of life that the grit of getting on failed to cover up," "the milestones are becoming millstones, "immolating yourself in anger," "I've become the Ahab of the interstates." Heck with the story; I'd rather be entertained by dollops of linguistic surprises.
Thursday, December 13, 2007 8:50:05 PM (GMT Standard Time, UTC+00:00)
I haven't gotten too much further. I read the second of the "tapes" yesterday, called "How to Act Normal" and I had to stop, not because I was tired or bored, but because it was so fantastic that I had to go back and reread and think about it. It's a "big' soliloquy." A "grandiloquent speech you pass your life preparing to deliver." Who is this guy Curt Curnutt? I'm going to find out. Are you reading this book?

BTY, I often have trouble posting comments here. The code letters don't appear, so the program won't accept my post. Once, I lost the entire thing, so now I always keep a copy off-line. Anyway, our IT guy here at ForeWord knows about the problem and is trying to work it out.
Friday, December 14, 2007 2:50:28 PM (GMT Standard Time, UTC+00:00)
First of all, it's Kirk (not Curt).

Kirk Curnutt chairs the English Department at Troy University in Montgomery, Alabama. He was born in Lincoln, Nebraska, and moved to Midland, Michigan until age sixteen. He spent his senior year of high school as an exchange student in Brazil. His first story collection, "Baby, Let's Make A Baby," was published in 2003.

River City Publishing is located in Montgomery, and Montgomery is the birth place of Zelda Fitzgerald -- the Fitzgeralds being something of a specialty of Mr. Curnutt, as he has published two books about F. Scott:

A Historical Guide to F. Scott Fitzgerald
Edited by Kirk Curnutt

The Cambridge Introduction to F. Scott Fitzgerald

There's an "Eclectica" interview from 2005 at http://www.eclectica.org/v9n4/glixman_curnutt.html

Frankly, I'm not much better informed that I was before. So what if he teaches 18th and 19th century lit? So what if he's got a 21-year-old kid? How much does an author's biography really matter -- and to whom?

That's a real question.
Monday, December 17, 2007 1:10:58 PM (GMT Standard Time, UTC+00:00)
I continue to like his phrases: "old Gothic type, Gostich maybe, the droopy fs curling like Christmas ornaments testing the strength of an evergreen branch," "coffee cups stained on the inside, just like him," "the shock stripped him gaunt," "bumblebeeing convolutions of the old woman's wrists," "functional without flourish," "her mouth streaked with spearmint paste that bubbled with her rabid annoyance." "hacksaw teeth."

He says "Ahab of the interstates" again, but I don't mind - he's Melvillian, especially with "...but I pursue him. He's my white whale."

Also his humor: "..bring your own placemat today, sweetie." says the waitress to St. Claire as she puts down a cup of coffee next to his map with the "blue veins of I 75 and the red arterial highways..." Also his zippy pace
Thursday, December 20, 2007 2:48:09 PM (GMT Standard Time, UTC+00:00)
I left my book at home this morning, on the nightstand where I put it down last night after meeting the truly revolting Dickie Bird. Curnutt's language curls around this guy and his exploits until you want to gag, and do violence. And the violence comes -- violence of action, of speech -- and Curnutt escalating the rage and impotence and revulsion with his precise and meaty choice of words.
Thursday, December 20, 2007 4:27:43 PM (GMT Standard Time, UTC+00:00)
So Heather, you've met almost everyone now. (But for Collie's wife and...). What were your thoughts about Sis and Collie's first meeting at the bazaar with the memory blanket? How about the town's reaction to the POMC's booth so soon after the little boy "went missing"? What about the relationship between Sis and her younger sister?

Do you think Collie is insane, or close to it? Can unchecked grief lead to insanity?
I was worried about Sis when she described the reason for having her two younger children so late in life as "bearing my own grandchildren".

Whitney, how far are you?

Friday, December 21, 2007 9:31:58 PM (GMT Standard Time, UTC+00:00)
Backstory: When the little boy (Chance is his name – and there’s a great riff later on about the chances of a boy named Chance) goes missing, the townspeople gather to search and support. This is the first “missing” child since Sis’s daughter – and Sis’s daughter was more than “missing,” she was murdered.

So, Sis is self-conscious in the kitchen with the ladies and they’re all making sandwiches. Suddenly, in a burst of enthusiasm, she gets the idea to make a banner with “Welcome Home Chance” written on it. She wants to put photos on it of the boy, but nothing posed, like school shots; she likes candid photos better. Like she uses on her quilt.

The ladies like the idea of the quilt initially, but when they discover that it’s sewn collectively by the POMC (Parents of Murdered Children), well, that’s a downer. And when Sis says that she and the other members of the group are exhibiting it in a country fair that weekend, the ladies murmur their disapproval.

And I understand. Memento moris are tough enough without them being about violence and children. And I also understand Sis’s reluctance to walk the plank between search and rescue and search and recover. At this point, with Chance only gone a day or so, the town is willing, no, needs to suspend disbelief. As Sis has been clobbered for seventeen years with the worst news ever, it’s hard to get up the energy to put the best face on near certain disappointment.

And, I think that if you have kids for any “reason” whatsoever, you’re in for big trouble. Maybe the best name after all for a kid is Chance.
Sunday, December 23, 2007 11:54:42 PM (GMT Standard Time, UTC+00:00)
Here's something I found in the Guardian today that speaks to Maryann's first questions:


The publishers' year
Highlights and slow burners


Kate Figes asks about books that didn't fulfil expectations and the ones that inspired jealousy during 2007


Saturday December 22, 2007
The Guardian

Helpless, by Barbara Gowdy
(Little, Brown, £12.99)

The book: Chilling and subtle novel about the abduction of a beautiful nine-year-old girl where each character is helpless in their own way - persecutor as well as victim.

Why it deserved better by Richard Beswick, Little, Brown: "This got some glowing reviews but it was published three weeks after Madeleine McCann disappeared. We had to cancel the author tour when it became clear she would have to field lots of questions about it, and the BBC had scheduled it for their Book at Bedtime but pulled out fearing they would upset listeners."
Monday, December 24, 2007 3:19:04 PM (GMT Standard Time, UTC+00:00)
I finished the book last night and I'm so pleased with the way the author refuses to judge. Cormac McCarthy, for example, in The Road, drove the reader inexorably toward a conclusion. Perhaps the simple fact that Curnutt's book is also about irrational parent-child relationships makes me think of McCarthy -- but that's about as far as the comparison goes. Curnutt is on more of an exploration: how some people "cope" and others absolutely refuse to. How some parents are "sanctified by tragedy" and others find that rage gives their life meaning. The missing boy's father says, "There aren't any laws governing grief except the law of certain obliteration," and the murdered girl's mother wonders what kind of man would leave his wife to go on a wild goose chase -- and what kind of woman wouldn't go with him.

And there's so much more. Curnutt's examples of wives and husbands, fathers and sons, children and parents are richly detailed and ambiguous. There is so much wrong and so much right, but nothing all wrong or all right. Well, there are the victims and the predators. And perhaps, it's the utter black and white of that kind of horror that makes it "the perfect alibi for not having to go on."
Tuesday, December 25, 2007 1:45:55 AM (GMT Standard Time, UTC+00:00)
I'm so glad you finished. It really is one of my new favorite books.

Did you feel that there was any gender grief issues? That Sis had to stay the course with her grief and anger; stay on the farm and work as opposed to Coll who, even with a wife AND ANOTHER CHILD at home felt that he could, in effect, "have the perfect alibi for not having to go on". He was going on the road, but not going on with the business of life. I felt his pain. I don't know what I would do and I certainly wouldn't, or couldn't pass any judgment. Sis seemed just as angry but still able to work the farm and such.

There were so many layers these characters. Not in conflict, but I'm wondering if Sis was any more (or less) sane than Coll, but she just didn't have time or opportunity to leave her family and responsibilities to find answers/solace/closure. Does that mean that Sis was a stronger person? I don't really think so. Does it mean that Heim was trying to be as strong as both Coll and Sis? Was Heim the weakest (emotionally) in the story and wanted to have the guts that Sis and Coll had? Now really...the guy couldn't even tell his wife that he was going to help Coll. He told her he was helping his uncle in Northern Michigan birth pigs!

Usually I am a bit leery of the wrapped-up-#-years-later ending. Almost a deus ex machina? But because Mr. Curnutt had introduced that character and question (read it!), it came together in a lovely and very satisfying coda.

Whatcha think?
Thursday, January 03, 2008 3:03:47 PM (GMT Standard Time, UTC+00:00)
The pleasure for me in Ghost was Curnutt's imagination and artistry of language. It's the same delight in Tolstoy, who injected striking details, and Melville, who could flame with "anger with aim" (Curnutt's phrase).

I liked his harpoons of humor that hit the funny peg: "What if...the whale was able to slip away , wounded but not willing to let itself get carved into decorative candles for landlubbers." Plus the diatribe on normal set against the ungodly captain who won't take out the trash.

I liked the mosaic of revealing details that distinguish characters from one another, e.g., Sis staring at the grout from the bubbly bathtub after Pete enters the bathroom.

Each page seemed to have an unexpected combination of words: "zippered train tracks," "purpling the pores," "But I 75, the esophagus of Michigan...," etc. Also the turns of phrases such as "she dug her spurs into the lyrics" and "They (police) check for crock behind the crocodile tears."

His descriptions were vivid especially with the barn-birthed piglets and pliers philosophy; from "small and slick, as if dipped in pancake batter, " to "See, no pain in life if you don't think about it."

I also enjoyed the story line, the "wheezing out of ghosts" by the unfortunate parents.
Sunday, May 17, 2009 2:33:53 PM (GMT Daylight Time, UTC+01:00)
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