Book Club
Each month, members of the ForeWord staff choose a book to read and discuss. We encourage you to read the current book or past selections, and post your comments. To add a comment, just click the Comments link below each primary blog entry. The comment link does not appear on the chapter excerpt page, so return to the main book club page to add your comment. Let's talk about books!
 Friday, April 04, 2008

This month we’re reading The Trapeze Diaries by Marie Carter (Hanging Loose). Some people visit shrinks to get to the bottom of things—Marie Carter climbs a ladder, wraps her hands around a bar, and pushes off.

Marie Carter: If you have told me five years ago that I would be an avid student of trapeze and learning all kinds of crazy tricks like foot hangs, ankle hangs and one-knee hangs, that I’d become obsessed with yoga and standing on my head and doing handstands on a daily basis I would have told you to go back to drinking your moonshine. Five years ago I was a couch potato/bookworm with no interest in going to the gym or taking up sports. In high school I was the physical dunce, the last person you would pick for your team. I was also terrified of heights. Nonetheless I was fascinated by circus artists and would find myself crying every time I watched trapeze artists perform and when I finally took a chance and went to my first trapeze lesson, in spite of the humiliation and the difficulties of learning trapeze, I fell madly in love.

But it wasn’t just my physical form that trapeze changed. By confronting the physical specter of fear I began to confront emotional fears that I’d been harboring all my life. The Trapeze Diaries is a book based on my experiences of learning the trapeze and the personal transformation that took place.

“Marie Carter’s The Trapeze Diaries is a tour de force performance —this is a writer transforming the things of daily life, the fears and struggles and unexpected glories, into weightless prose. Carter gets at the question we’re all trying to get at in one way or another: how, in this heavy world, against our own mortality and terror, can we break loose and fly? How can we get around the troubles in our own hearts and make our way toward joy? Carter finds the answer, both metaphorically and physically.”
Maria Dahvana Headley, author of The Year of Yes

“Not only the lyrical tale of one woman’s love affair with the trapeze, but a powerful story on becoming brave and letting go.
Carolyn Turgeon, author of Rain Village

“A quiet meditation on loss and recovery…the narrator’s poignant voice has great clarity as she explores a new life far away from home while recovering from the death of her father. This is a brave and heartwarming book.
Donald Breckenridge, author of 6/2/95 and fiction editor of The Brooklyn Rail

posted on Friday, April 04, 2008 4:11:07 PM (Eastern Daylight Time, UTC-04:00)  #    Comments [3]
Thursday, April 10, 2008 4:25:52 PM (Eastern Daylight Time, UTC-04:00)
I sat and read more than half of the book this afternoon. Finally had to stop because I had to stop.

I suppose it's addictive because it's memoir. Also, the entries are intensely, powerfully short. Could be the exotic Aerialist (peanut butter between her teeth and all) and her artform. Is that what it is? Certainly it's more than mere sport. And she uses it to define, translate, and describe emotion, even though it may be too personal for the general audience.

Or not. Who hasn't sat on the edge of their seat at a circus, fearful of each terrible fall at the end of a sweep?

Which brings me to the next compelling item: the book describes a way of living completely and totally unlike my own.

So it's a little bit of an anthropological attraction.

Anyway, there are so many different parts that I'm enjoying. Like phantom dad. Or parts that make me squirm. Like mom back in Scotland. And I love watching the author's transformation, her "overactive imagination," her admonition to "Train with the circus while you're still young!"

More later. H
Monday, April 14, 2008 1:14:44 PM (Eastern Daylight Time, UTC-04:00)
This is not a book where a lot happens. At the end, the protagonist is in basically the same situation as she was at the beginning. But readers get to know her and empathize with her, and maybe start to think about themselves. I know I looked up trapeze lessons in my town when I finished the book. (Sadly nobody teaches trapeze in northern Michigan.)

I like what she says about muscles and how she wants hers to be useful. She wonders about people who only want muscles because they look good, not because of what they can do. She really gains confidence in herself and her own strength--something she really seemed to need living in NYC.

Her phantom dad was my favorite part--the jokester standing off to the side examining the circus equipment and struggling to touch his toes.

It's a good quick read that left me feeling good and ready to learn something new!
Friday, April 18, 2008 2:59:02 PM (Eastern Daylight Time, UTC-04:00)
Good book. I was amazed at the way she gave up so much of herself to us through short , almost terse chapters.

Whooo boy, can I relate to her relationship with her mom. And her dad too, to an extent. I don't "see" my dad, but I can hear him.

I liked Marie. The gal's got moxie.
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