The
transformation of publishing from finding and nurturing authors for the long
term, to acquiring the most ready-to-go, commercially-promising packages that
the budget allows, happened several decades ago.
So
we’re used to it, right? We know what is, and what to expect from, a “NY Times
Bestseller” (which is not the same as the NY Times bestseller lists).
A rock
critic in my ill-spent youth (East Village Other to NY Times), I am now
grooving on the spate of new books about rock icons like Dylan, Clapton, and
even Patty Boyd, a beautiful young Brit, born of a dysfunctional family, who
grew up to be a model and wife of George Harrison and then Eric Clapton. Wonderful Tonight by Ms. Boyd, is
actually a whole lot better than Clapton’s Eric,
which is an interminable set of acknowledgments of all the cool people he knew.
(hence my title.) However, at a crucial point in Patty’s account of her
break-up with George she describes the tension as being the same as “a chop
stick about to come apart. Something had to give,” she writes.
Help! Did
an editor ever read this? Not that Patty should be treated like Raymond Carver,
but shouldn’t someone have asked for a better metaphor?
Of
course, it is completely unfair to tar all editors with this brush. And I
recommend, if you can, being a fly on the wall at an editorial meeting. It’s a
fascinating dynamic to watch.
But, it
does beg the question: what is a publisher? A few years ago, Peter Jovanovich,
scion of Jovanich Publishers, told me that a publishing house is “a bank with
an editorial department attached.” After all publishers haven’t printed,
manufactured, distributed or sold books for nigh on to a long time. And if they
are no longer really editing them, then what are they? Just a bank?
Enter
the Internet, which is changing the equation quite fundamentally. As other
publishing blogs have been feverishly discussing, and as I will attempt to
demonstrate at the O’Reilly Tools of Change conference next month in NYC, bringing
content to customers is essentially a “service” in which an increasingly
customized and customizable product (often self-published by the author) is
embedded.
Two
examples of the dawn of this service function are author sites, for example:
http://www.harpercollins.com/author/index.aspx?authorID=17367 and http://www.oreilly.com/authors/
But
then Tim O’Reilly foresaw this direction in a 1995
paper.
Which
just goes to show that things that appear to be suddenly “right on the brink of
change,” were probably there for a while. They were just hard to see.
Posted by: Jim Lichtenberg