Note: The current issue of ForeWord magazine celebrates our tenth anniversary
and has an AfterWord from me looking back on ten years of ForeWord history. In
this piece, Michael Cairns provides an insider's overview of the growth and
reach of the independent press during that era. Eugene G. Schwartz, Editor at Large
Foreword
Magazine is celebrating their 10th anniversity and they asked me to
write something on the changes I have seen in the past 10 years or so.
Many
years ago I attended my first BookExpo conference in Miami. On
subsequent visits ever since, the rows upon rows of independent
publisher booths have both awed and discouraged me. I have frequently
said to friends and colleagues that as a reality check anyone
considering establishing a publishing company should attend a BookExpo
before committing dollar one. For many (myself included), there is a
romantic notion attached to publishing which isn’t entirely undeserved;
however, a trip through the aisles will prove that the unique idea you
thought you had for the ideal publishing house or list is represented
multiple times perhaps even in the same aisle.
At Bowker I saw a
relentless procession of new publishers adding their information to
Books In Print. Each year we saw approximately 10,000 new applications
for ISBN numbers and these applications were fairly constant between
the mid-1990’s and 2002. At the turn of the century, the numbers of new
applications began to grow inexorably and is most likely well over
12,000 by now. The growth in self-publishing and the democratization of
the publishing process is to 'blame.'
In 2005, (if I recollect
correctly from my Bowker years) 18 publishers produced almost 40,000
titles and 13,000 publishers produced 77,000 titles. (Including all
titles the number published in 2005 was 180,000 give or take). On
average, each of the 13,000 publishers published less than 10 titles
per year. While these numbers reflect one year (2005) the data was
proportionate to the entire Books In Print database of 5mm titles and
165,000 publishers. To emphasize the breadth of suppliers, I have heard
Barnes & Noble say they order at least one title from 45,000
publishers in any given year.
All new publishers and existing
independent publishers publish in every niche imaginable with lists
ranging from one title to several thousand. Each publisher knows their
market is intensely competitive and that titles will never be
successful unless they are supported by an intensive focus on marketing
and promotion. Naturally, some do this better than others.
There
are significant challenges that small and medium publishers must
overcome; getting their titles noticed is the greatest. At Sourcebooks,
the company has adapted traditional advertising and marketing
principles and applied them to the book industry. The results are
instructive (and impressive). At the core of their business model is
the understanding that each new title is a ‘product’ which requires a
specific marketing and promotion plan. (Marketing’s four ‘p’s: product,
promotion, price and place). At Sourcebooks, the difficult questions
regarding how the title will be marketed and promoted are asked at the
adoption stage rather than applied by rote as the book is being
printed. Sourcebooks is a proven example that publishing can be done
successfully by approaching the business less as an avocation and more
as a market driven business. In order to be successful, more small and
medium sized publishers will need to adopt similar programs to support
their publishing efforts.
Other challenges abound. For example,
we may begin to see the self-publishing model begin to impact the
available pool of authors. Many authors may come to realize they can
produce and promote their own title(s) and make more money rather than
work with a traditional publisher. It has long been the case that the
success of any title was dependent on the level of self-promotion
provided by the author: As manufacturing and editing become
commoditized, the author may wonder what a publisher’s value add will
be if the titles’ success resides entirely on their promotional
abilities. More authors may decide to do it themselves.
All
businesses evolve and publishing is no exception; I see more and more
independent publishers begin to adopt better financial controls, better
marketing and promotion and make more astute title selections. While
some significant challenges have occurred over the past 20
years—publisher consolidation, retailer consolidation, a reduction of
independent bookstores—there have also been some impressive positive
improvements. Opportunities represented by more effective use of
technology, digital distribution and online advertising should all be
experimented with, embraced and adapted to the publishing model. I also
believe we will see more small and independent publishers seek out and
work with some of the self-publishing companies (AuthorHouse, Lulu)
where each supports the other’s business model. There remain
opportunities in the independent publisher market.
Posted by: Michael Cairns