Editor's Notes
 Monday, February 11, 2008
Something that confounds the office every single day when we open the mail is the lack of professionalism in book cover design. I am sure that there are many, many books with wonderful covers that fail to become bestsellers, but I’m also sure that wonderful books with awful covers are doomed from the get-go.

Remember when album covers were so important? They were inspirations and compliments to the music on the disk. The album cover has been replaced by the music video, but book covers are alive and well. Rather, they ought to be.

Some of the problem comes from the disintegration of specialization. Yes, you could blame it on technology, but that would be too easy. Blame it on the guy who thinks he can do everything just because he’s got the technology.

Bob Sacks (www.bosacks.com) sent out an article on 6 February from the Independent about a new printer that produces 3D objects. I’ve seen similar printers used in the auto industry, but soon they’ll be available, and affordable, to anyone. The means of mass production will (or could) suddenly be everyone’s utility room.

Great, and not so great. Great for designers, craftspeople, artists; not so great for the rest of us who will experience a flood of the home-made and half-baked.

The same thing happened when desktop publishing was introduced – has it been almost 20 years! – spawning ugly newsletters, brochures, pamphlets, and now books galore. Just because you can produce a public document doesn’t mean you should.

An average book cover consumes 10 to 15 hours of a designer’s life. Ask yourself, do you even know what an average book cover looks like? And don’t ask your sister or your girlfriend or your mom, because unless they’re designers, they don’t know either.

A book cover inspires an immediate reaction. Whether that reaction is apathy, derisive cackles, or curiosity is totally up to you. My advice: Hire a professional.

Here’s a site I like to look at. Remember, though, just because you look at this site, it doesn’t make you a designer. http://nytimesbooks.blogspot.com/

posted on Monday, February 11, 2008 12:51:30 PM (Eastern Standard Time, UTC-05:00)  #    Comments [4]
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Tuesday, February 12, 2008 6:49:10 AM (Eastern Standard Time, UTC-05:00)
I'm guilty of submitting an "awful" cover, and the book trade has punished me for it. Although I managed to replace the "awful" cover with a professional one before my release date, all those promotion copies I sent out, copies with the "awful" cover, have ended up as used books on Amazon.

The first time I needed a cover, I hired a professional, but even a professional can produce an unprofessional cover. It is not enough to know how to use graphic software, it is not even enough to be a trained graphic designer: a book-cover designer needs to be a book-cover designer. It is a highly specialized field. So let me supplement Heather Shaw's advice to "Hire a professional" with my own experience: Hire a book-cover design professional.

Book covers have their own, probably unique, design requirements. But it doesn't stop there. Different types of books have different types of covers. A novel has a different cover from a computer manual. And even within the novel, the aesthetics or look-and-feel of covers varies widely. The covers in general fiction are different from the covers in fantasy, romance, and mystery. I would even take this one step further: a work of general fiction, published by a small, independent press, has its own cover requirements, and thus, its own particular look-and-feel.
Tuesday, February 12, 2008 12:53:03 PM (Eastern Standard Time, UTC-05:00)
Wonderful advice!
Wednesday, February 13, 2008 10:05:51 AM (Eastern Standard Time, UTC-05:00)
And when you think you have a good cover, take it to the bookstore and compare it with the other covers in the section where your book should be shelved. If a shopper had to choose between your cover and these others, does yours stand up to the competition?
Wednesday, February 13, 2008 4:16:29 PM (Eastern Standard Time, UTC-05:00)
Good advice. A combination of Whitney's and Heather's advice can also be applied - head for the bookstore before you pick a designer and check out some of the covers that appeal to you. In many cases, the cover designer is credited. So Google the name to find him or her. Ads for designers will also be found in the PMA Newsletter and in resources on PMA-online.org.

There is an interesting dilemma facing cover design choices that has been exacerbated as a result of internet ubiquity and widgets and the like. In the print era, cover designs were intended primariliy to draw buyers into bookstores through window display and to sell the book off the table or shelf. -- Now they appear forever on Amazon, B&N and all kinds of sites in thumbnail size. So, how to design a cover - for full size impact, or keyword or iconic recognition in reduction. Or does it matter?

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