The story is that parents meddle too much with the first kid, causing pretty much fruitless heartbreak. The others we tend to leave to their own devices, equal parts lack of attention and lack of courage. By the time my third child, Hart, was born, the other two were six and nine. They’d graduated from Winnie the Pooh movies and the Berenstein Bears, and were gleefully into R.L. Stine, “Young Frankenstein,” and “Abbott and Costello Meet The Killer.” Unsurprisingly, young Hart grew up fearless, and ghost stories were at the top of the heap of favorite books.

The
Georgie books by Robert Bright, for instance, were huge. My mom read these stories to me and I can’t tell you how much pleasure I felt, rediscovering the Whittaker’s attic. The first book was published in 1944, but don’t miss these just because they’re old.

A recent title that also scores high on the cute meter (although, to be fair, it’s the story that keeps Georgie haunting the bookshelves, not the adorableness) is
Frankie Stein by Lola Schaefer, illustrated by Kevan Atteberry (Marshall Cavendish). It’s a rip-off of the Munsters and their “horrible” normal child, but there’s a reason that story worked as well. Here mom and dad try to scare some scariness into their beautiful blond boy. Little kids will like this for the roll-playing and the reversal at the end.

If you want something a little scarier, actually plenty scarier as far as the illustrations go, try
Witches’ Night Before Halloween by Lesley Bannatyne, illustrated by Adrian Tans (Pelican). Kindergarten through second graders should be able to handle this however, simply because of the use of the well-known happy tune. The text is good for vocabulary-building, with ghoul, rheumy, snaggle, and hovel punctuating the pages of the headless and shrieking.

Moving in a slightly different direction, although staying in the season, try
Uncle Monarch and the Day of the Dead by Judy Goldman, illustrated by René King Moreno (Boyds Mill). The simple but rich illustrations will be a nice change from the foregoing visual mayhem, and the story explains a holiday that honors the dead, instead of one that thumbs its nose at death.